Warning: Use of undefined constant gallery - assumed 'gallery' (this will throw an Error in a future version of PHP) in /home/c8qi844vijfu/public_html/news/wp-content/themes/blankslate-child/single.php on line 6

Warning: Use of undefined constant this - assumed 'this' (this will throw an Error in a future version of PHP) in /home/c8qi844vijfu/public_html/news/wp-content/themes/blankslate-child/single.php on line 6

Warning: Use of undefined constant another - assumed 'another' (this will throw an Error in a future version of PHP) in /home/c8qi844vijfu/public_html/news/wp-content/themes/blankslate-child/single.php on line 6

APOLLO BROWN AUSTRALIA & NEW ZEALAND TOUR MAY 2014


Warning: Use of undefined constant interviews - assumed 'interviews' (this will throw an Error in a future version of PHP) in /home/c8qi844vijfu/public_html/news/wp-content/themes/blankslate-child/entry-content.php on line 18

Warning: Use of undefined constant gallery - assumed 'gallery' (this will throw an Error in a future version of PHP) in /home/c8qi844vijfu/public_html/news/wp-content/themes/blankslate-child/entry-content.php on line 22

apollobrown
Apollo Brown’s “Thirty Eight” is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between ‘70s Blaxploitation soundtracks (e.g. Curtis Mayfield’s Superfly or Marvin Gaye’s Trouble Man) and the hip-hop records that sampled from them.

The tracks on “Thirty Eight” are presented in gritty, heavily saturated Technicolor, the scratches and cigarette burns as purposeful as they are happily accidental. These are suites sounding from long barrels held by lone men lurking in grimy project hallways. Tinged with revenge and regret, shrouded in thick tendrils of hollow-point smoke, the songs have all the makings of an epic gangster tragedy. They’re also great when paired with anything Raymond Chandler.

Crackle and sample hiss run like electric current throughout, charging the record with a retro feel and resonant warmth. Yet these qualities are only secondary to Brown’s impeccable ear for instrumentation. “Thirty Eight” is full of funk, soul, jazz, blues, hip-hop, and everything in between. The bluesy guitar twang of slow-burner “Black Suits” and the lush, orchestral strings of “The Warning” are just two examples of the depth and diversity Brown brings to the table.

All singing on the album comes in the form of brief samples, some high-pitched and sped up, others left untouched. Taken together, they amount to glimpses of an emotionally affecting narrative, enabling the listener to fill in the plot and words between the booms and baps.

Brown enlists New York mercenary Roc Marciano for the soundtrack’s two features. With the sharpest of eyes and the frostbitten wit of a Polo clad hustler slanging in the dead of winter, Marciano delivers his best verses in recent memory, his vivid narratives perfectly suited for Brown’s soulful production.

TOUR DATES
Friday May 16th – The Espy, Melbourne
Saturday May 17th – Rocket Bar, Adelaide
Thursday May 22nd – Transit Bar, Canberra
Friday May 23rd – The Manor, Perth
Saturday May 24th – Oxford Art Factory, Sydney
Sunday May 25th – Ponsonby Social Club, Auckland

Leave a Reply